Yesterday, the world was introduced to Ping, a social network revolving around iTunes. Ping has been touted as the final MySpace killer, a social network for music and a way to discover new music based on what your friends are listening to, downloading and following. The most obvious gripe have been covered everywhere so I won’t get into more than just a summary here. Initially, Ping launched without Facebook integration. Though a problem, this is something that’ll be fixed so I don’t count it as a really big deal.
I have two real big issues with Ping, though. The first is that Ping allows to see what your friends bought on iTunes, not what they’re listening to. This is a problem. How much of the music on your iTunes player was purchased from the iTunes store? They took what could have been a pretty cool idea and castrated it. Who cares what your friends bought? Chances are, they didn’t buy anything. If everybody was buying lots of music, the music industry wouldn’t be in such dire straits.
This reeks of a concession to content providers. iTunes will always benefit from the shared experience people have around music. The more robust the experience and the more Apple is part of that, the more impulsive buys and buys based on recommendations they’ll receive. At the end of the day, word of mouth is still the largest purchase driver and the most trusted form of advertising. Apple is therefore incentivized to make this experience as inclusive as possible. Leaving out something as easy and basic as what your friends are listening to is something I don’t think Apple would overlook.
If I were a betting man, I would guess that major record labels would like to keep the community around sales. The thinking goes that if sharing is based on sales, then individual artist sales will rise as a result. Regardless, the major record labels certainly don’t want to encourage a music community in which the engagement is based on music that might have been obtained by nefarious means – or at least not direct sales.
My second issue with Ping isn’t so much an issue with the product as it is with Apple’s idea of extending the value of the long tail. This is of various limited appeal to consumers. The long tail is a natural occurrence. To oversimplify, as people share content they like, more people are exposed who can then share it with their friends. Content not liked is content not shared. This results in a very uneven distribution model – a large majority of impressions, sales, plays, etc focused on choice pieces of content. This system only works because the majority of consumers are passive. They don’t want to actively search for new music. They’d rather their friends just tell them about good music. Ping does nothing to address this underlying passivity therefore, Ping will do nothing to change the nature of the long tail.
The person most likely to see value out of the discovery aspects of Ping is your active consumer who won’t like Ping because the information they get is limited to purchases! This is such a small element of a normal user’s interaction with music that it’s almost statistically irrelevant in determining what people are actually listening to.
Apple has the ability to make Ping an amazing tool. All they really need to do is open up what people are listening to. Until then, Ping is second rate.
This week was all about Apple, who announced the newest updates to their products at a music-themed event on Wednesday. Updates to iPods (touchscreens! buttons (again)! they’re still tiny!) abounded, as well as the announcement of their own social network, Ping. Apple’s trademark “One More Thing” turned out to be the newly-refreshed refreshed AppleTV. A $99 cloud-based media streaming center, the AppleTV will let you rent TV shows and Movies via iTunes, as well as pull off nifty party tricks by zipping video content from your iPhone/iPad to your TV at the push of a button. Pretty great stuff, but we’re still more interested in the upcoming Boxee Box, as well as SageTV’s newly-revealed HD Theater 300, which does (pretty much) all of the above and some even cooler stuff, too. Now if we could just find the free time to actually watch all of this content on our awesome AV setups, we’d be golden.
Apex staffer Gabo’s band Kordan were just added to Filter’s Culture Collide festival in LA, and while we can’t make it out there, we’re bugging our LA friends to check out the show. Deli Mag said their “fuzz-drenched guitars and the droney melodies are reminiscent of late 80s/early 90s shoegazer” and we’ve gotta agree. RIYL My Bloody Valentine, A Place to Bury Strangers, Jesus and Mary Chain, and other bands you already should be into.
Sorry to cut this week’s post so short, but in case you weren’t aware, there’s a hurricane coming, and we’re trying to make it out of here while it’s still mostly dry outside. We’ve prepared, have you? We’ll leave you with our favorite video that’s made the rounds this week so you can at least have some entertainment in your storm shelter. (Quasi-NSFW for those of you offended by hilariousness.)
Social Media during New York Fashion Week is the chic must-have of the season. There are too many apps, tweets and blogs to count that are focusing on this one week of runway shows, after-parties and all of the exciting drama in between (tickets, seating arrangements and maps to all the shows).
Some of the top names in fashion (Donna Karan and Ralph Lauren, to name a few) are giving fashionistas all over the globe a front row seat (and backstage pass) to the shows by creating custom iPhone apps to keep everyone in the know. With the click of a button you have access to behind the scenes footage, looks straight from the runway and you can shop whenever you’d like!
And it’s not just designers – websites such as Style.com will have exclusive live images of runway shows, after parties and all the juicy gossip. Lucky Magazine teamed up with FourSquare to give tips on the best places to visit and a list of 700 stores in the magazines directory. It seems as though everyone is taking Fashion Week to the next level of tech.
If you haven’t seen the video yet, it’s a user experience dream! They pretty much created an interactive, multi-window, data-driven video that uses the user’s information (particularly your address) to personalize the video. Part of the Chrome Experiment, they utilized HTML5 technologies to make this work. This pretty much means you should definitely watch it on Google Chrome (as they point out in their disclaimer). I don’t want to give it away, I’ll just say you should check it out!
Social news powerhouse Digg unveiled their much-hyped ver.4 update last Wednesday to a tepid response to long-time fans of the site. Today, the backlash hit full-force, as users quickly submitted and dugg links from rival site Reddit throughout the day, flooding the “Top News” section of the site with Reddit links and anti-Digg posts in what is being termed the “Digg Revolt.”
Digg CEO Kevin Rose responded to the mayhem earlier today that “this too shall pass, it’s revolt #5 for us, we have to fix some features, but we’ll get back to normal soon.” It seems that the mutiny may have had its desired effect as Rose’s last tweet reports that they’re “adding back v3 tools” with more news coming soon. In the meantime though, it’s at least entertaining to watch how the site’s users are voicing their concerns.
Above is Reddit’s new header image, as they’re currently “digging around for new logos this week.”
This week the weather in NYC did its best to remind us to enjoy summer, with a Monday and Tuesday straight out of mid-October. Best hit the beach and make it to a few cookouts in the next week; summer’s over, kids.
Regardless, we had more interesting stuff going on this week than just dreary weather. For starters, Barracuda-rockers Heart answered MOG.com readers’ love and music questions. Need to charm that special someone? Lost that special songwriting spark? They’ll help you out.
For you fashionistas out there, the second annual Fashion’s Night Out was announced this week with an enthusiastic PSA that was released this week featuring all of fashions top models. This year’s event takes place on September 10th. Not in New York? This year the event is going to be taking place in 16 different countries all to support the shops and fashion in their market. You can follow FNO over on Twitter.
Next week marks the release of the 40th anniversary reissue of Miles Davis’ landmark album Bitches Brew, and Josh, our resident jazz fanatic, is stoked.Huge Miles fans themselves, Dogfishhead Brewery are commemorating the album by releasing their own Bitches Brew Ale, which Slashfood and NY Press named as the “Beer of the Week.” We’re anxious to give it a taste while listening to “Miles Runs the Voodoo Down.”
This weekend, we’re looking forward to checking out Make Out with Violence, an indie film from Nashville that’s opening up down the street at the reRun Gastropub. As one of Apex’s resident former Tennesseans, I’m all about supporting Music City where possible. NY Times‘s review summed up the plot to the coming-of-age/zombie flick (common pairing, right?) pretty perfectly, and check out the trailer below.
Filled with clear, bright images and moments of skewed genius, this delicate debut effortlessly evokes those languid summer doldrums, when even a rotting girlfriend is better than no girlfriend at all.
Update: Um… oh yeah, that Star Wars Uncut thing that I was in that got nominated for an Emmy for Creative Achievement in Interactive Media – Fiction? It kindasortawon. Massive crazy-huge congrats to the SW Uncut team: Casey Pugh, Annelise Pruitt, Jamie Wilkinson, Chad Pugh, Aaron Valdez, Bryan Pugh, and Justin Hanney. I’ve never been prouder to serve as a mustachioed Princess Leia.
Surely this week you’ve seen the new video for Cee-Lo Green’s new track, “F*ck You.” If you haven’t yet, you probably will, as it’s quickly making the rounds. If you’re at work, make sure to reach for your headphones considering the NSFW-ness of the… well, pretty much the whole thing.
And yet, for a track with an unbroadcast-able chorus uploaded only 5 days ago, it’s literally exploded online with almost 2 million YouTube views and countless tweets, posts and further re-posts. The Dallas Observer has even taken to using it as a re-dubbed soundtrack to some iconic movie scenes (including the “opera scene” from Shawshank Redemption that had me chuckling). To not only have a single blow up online a full month before the album comes out is one thing, but for it to become arguably meme-worthy is huge.
What went so right here? Obviously, it’s a great song, but it really plays into what BuzzFeed CEO Jonah Peretti considers the key concept behind his 5 Rules for Viral Videos – the Bored at Work Network. Cee-Lo Green already has a considerable number of fans, but it was his ridiculously catchy track that lead to that innate, knee-jerk “did you see this?!” mentality will cause thousands of links to bounce around offices everywhere. Check out the rest of the article, as it’s a great jumping-off point to understand what works and why online.
This week saw so many cool things! Manly in the internet. For one, Facebook decided that it’s cool for ALL your friends to know where you are ALL THE TIME (?!?!?!?!). That’s right!! With Facebook Places, you can now tag your location and even your friends can tag you. So if you lied to your friends and told them you can’t go out, just because you secretly wanted to go to the Ice Capades, well now your little 14 year-old cousin can be all like “I was sooo happy to see my cousin at the Ice Capades!! He looked especially cute when he cryed ” on her wall.
And yes, she can tag you all through that! Awesome!! So now, not only people can tag our pictures and our profiles and pages, they can also let everyone know where you are. I won’t weight-in into the subject (although, it does seem like I have) but there have been many articles for and against this feature. I’ll let all of you be the judge.
Also, you can now (finally) see the entire version of the Star Wars Uncut Movie! It’s particularly exciting to us, as one of our own participates in the feature!
It’s also really exciting to now that it’s now been nominated to an Emmy! Nice going, Davis! You’ll be a super “Star” (Wars?)!
Well, that’s our week! Now, go out and get some sun or something. You’re getting to pale from all the staying inside and watching a computer screen all day.
Lastly, I’ll leave you with the FunnyorDie.com exclusive: “Pranah 3D: For Your Consideration”.
Wired‘sSeptember issue cover story has been making waves online this week, and for good reason: Wired editor Chris Anderson’s lengthy feature story entitled “The Web is Dead” makes the argument that although we’re using online services more and more, the idea of the standard “internet” (y’know: that thing you’re using right now. Yes. Right now.) is over, while online services such as apps are thriving.
Several outlets have taken umbrage with the article, specifically regarding the graph used as the backbone of the article’s argument: that web usage accounts for less than a quarter of data moved online, and we’re using online service that use the internet as a means of transporting data outside of the web. Obviously online-based services such as iTunes, Xbox Live, YouTube, Netflix, Skype, etc. are accounting for bigger percentages of data. For the most part, they weren’t around 10 years ago, and if they were it was in greatly reduced forms. Boing Boing succinctly points out that while the amount those services are used is increasing, the web as a whole is far from dead.
Dubious graphs aside, the thing about Anderson’s article is it feels like he’s simply splitting hairs. In essence, his argument comes down to the definition of “the web” vs. “the internet,” two words that are synonymous to the everyday user, and he seems to focus almost entirely on the way users interact with content, rather than the content itself:
We want TweetDeck to organize our Twitter feeds because it’s more convenient than the Twitter Web page. The Google Maps mobile app on our phone works better in the car than the Google Maps Web site on our laptop.
But does this really matter? If we’re using Google products, Facebook, Twitter, RSS, etc. through various tools other than a web browser, we’re still using the same content. Essentially, it just tells us that we’re interacting with the web on a greater scale and across new mediums, which is exciting news for what we do here at Apex, as it broadens the tools we can use to reach users in a way that makes sense to how they’re using the internet. If anything, we should be hopeful looking forward to the future of the web (and the online community as a whole), not discouraged.
It seemed like this week was all about people quitting their jobs, with workingman’s hero Steven Slater giving some Jetblue passengers an honest slice of his mind before jumping out of a plane, double-fisted beers in-hand (or maybe not). JetBlue responded with quite possibly the best PR response ever, managing to reference Office Space and well… the entire internet.
TheChive.com was able to briefly one-up Slater with their own “I QUIT” story and in the process pulled a fast one on basically everybody. Regardless, HOPA has now entered the cultural lexicon forever.
Continuing with the theme of people exiting jobs this week, our very own Christina Marcus set sail for other waters, but not before writing up a pretty fantastic post on Wednesday. While she didn’t leave with two beers in hand or with a Farmville revelation, Christina will be missed. You can keep up with her over on Twitter and Tumblr.
As for this upcoming weekend, I’ve got an unintentionally nerd-tastic few days ahead of me, with Scott Pilgrim tonight, 8-bit rockers Anamanaguchi playing tomorrow, and the Mega Man-inspired power-metal rock-opera of The Protomen on Sunday. Josh will be Easy Riding his way down to DC on PorkChop, his 1985 Honda Magna, while Gabo will be playing it low-key before playing a show on Sunday.
That was the week, and it was awesome. We’ll leave you with this terrifying flight in a glass-bottomed hot air balloon. Don’t let the peaceful piano music fool you: you’d be hugging the sides and crying for mommy if you could see the ground a couple hundred feet directly below you.